Not really. Just quit swearing so much.
I don't mean that writing should be clean and unabrasive. I mean the opposite. Swear words are an important tool in writing, but too many too close together get boring really fast and then the words start to lose their f*&#ing meaning.
Some writers write effortless, sweary prose and dialogue, and they do a great job at it. I am not one of them. Not because I have any problem with the use of any specific words (writing is expression and censoring expression is a dangerous game), but because 1) it doesn't always fit my characters/genre and 2) I know I, as a writer, have a tendency to overuse words, so I have to really watch myself.
Writers, searching for words to help create an atmosphere, need succinct ways to get the point across. Swear words exist in language because they allow us to express a burst of emotion with very little effort, so in many cases they are perfect descriptors to show a character's emotional state. Unfortunately, in a piece of writing, you get the emotional impact of the swear exactly one time. Every time after the first use is less and less significant.
It's not just swear words. Any word just slightly out of the realm of the most common words we use could be a culprit. I have an obsession with the word galvanize. I just think it's a really neat word, especially when it has nothing to do with metal. Think of soldiers galvanizing behind their leader or a character's new and old feelings galvanizing inside of them, spurring them into some unexpected action.
I used galvanize exactly one time in Taken by His Sword even though I wanted to use it in, like, 37 different places. I've also used it exactly one time in the sequel. After that, I don't think I'll ever get to use it again. Once my reader is onto me, every time I galvanize something, it will scream off the page and not in a good way. You never want your reader to hear you writing.
Here are some ways to keep the writing crisp, without overusing your language.
Vary your language between dialogue and exposition. In other words, save your fucks for the dialogue. This is an easier distinction if you are writing in 3rd person, but it still applies in 1st person. We may say swear words a lot, but we think swear words much less.
Don't rely on swear words to create your character. The language a character uses absolutely helps define them. But a constant spew of bad words shouldn't be what makes them a badass. There are plenty of other ways to show us who they are.
Change it up between characters. Vary the specific words or frequency among characters. If you want a character that does indeed swear every other word (or say galvanize all the time, for that matter), try toning it down with your other characters.
Employ words to create an effect. Fucks stand out, but only once or twice. Look at all your fucks and decide which ones are worth it. The more you cut, the more weight the remaining words will hold.
In other words, go ahead, give a fuck. Just not too many.
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